performance

Performance Anxiety Part 2: Supporting candidates to shine in recruitment and audition

Performance Anxiety Part 2: Supporting candidates to shine in recruitment and audition

I’ve been thinking a lot lately about my own and my clients’ experiences of performing for the purposes of being assessed – job interviews, auditions and the like – and what can make the difference between a successful, positive experience and a negative one that might lead to shame, fear and a knock to self-esteem. I’ve experienced and heard about interview and audition situations that range from the joyful to the downright traumatic. This has made me a passionate advocate for an approach that pays attention to psychological safety as a means of getting the best from the candidate. Below, I offer some tips and reflection points to support leaders involved in recruitment, audition and assessment of candidates to create a safe and welcoming enough environment to help the hopefuls to shine.

Performance Anxiety Part 1: How to shine in performance and presentation

Performance Anxiety Part 1: How to shine in performance and presentation

As a coach and facilitator, I support people who feel uncomfortable with being seen and heard. People who might panic or freeze when the stakes are high and they’re required to give a performance in front of others, whether on stage, in the board room or on a conference call. In this post, I will offer some suggestions, points to reflect on and tools that could help you to feel calm enough to really shine in a performance.

If you can talk, you can sing!

I’m in the process of planning a new community singing group, with a focus on wellbeing. I’m well versed in the many health benefits of singing and when I work with groups, I aim to create an accessible, supportive environment in which people can explore and experience them. Some of the responses I tend to hear when I describe my work include “oh, I can’t sing!”, or “I love singing but I’m tone deaf”, or “I wish I could sing but I can’t!” I’m always reminded of Dweck’s growth mindset vs. fixed mindset model when I hear this – believing that we lack potential to grow in a specific area is a great example of a fixed mindset. We accept that playing an instrument like the guitar, piano or violin will require hundreds of hours of practice to master, even though some people seem to have more of a natural affinity for it than others. But because our voices are an inherent part of us, a part of our anatomy, we may be tempted to think that only some, special people have the ability to use them to express ourselves tunefully. I disagree with this idea – sure, there are born singers, including a few people with vocal apparatus and lung capacity so extraordinary that they seem destined for a successful career in music (although the ratio of talented singers to career opportunities is quite daunting). Equally, there exists a small number of people who are truly ‘tone deaf’ – up to 4% of people have Congenital Amusia, which is tone deafness that cannot be explained by factors such as hearing loss, brain injury or other cognitive/environmental factors. In spite of that fairly low prevalence, I’m sure I hear far more than 4% of people I encounter claiming to be completely, permanently unable to ‘carry a tune’. This always makes me a little sad because, although not everyone is quite as invested in singing as I am, I hate the idea of self-limiting beliefs preventing people from enjoying this particular form of self-expression.

Because our voices convey our emotions, our thoughts and identity, using them (whether for singing or speaking) can make us feel vulnerable at times. We’re putting ourselves out into the world, asking to be heard and dealing with whatever response is received. Singing is a super-charged form of vocal expression, because it combines the evocative nature of music with whatever emotions and stories are conveyed by lyrics, and because each of us has a unique sound that lets the world know something about who we are. It requires physical/muscular support and is more of a workout than it’s often given credit for. It becomes obvious to the listener if, when we sing, we feel so unsafe and uncertain that we lose control of our breath and our ability to find the right pitch or remember the words. So, I understand (from both professional and personal experience) some of the reasons that people might be a little shy about singing, particularly if they know that someone might be listening. And the less often we do something, the less naturally it seems to come – we don’t develop muscle memory or confidence, and we solidify our belief that ‘this is just something I can’t do’ – it can be a vicious cycle. There’s also the huge and debilitating issue of shame. So many of us have had experiences, in childhood and beyond, that shamed us into making ourselves smaller, quieter and not expressing who we really are. Many of us have had humiliating and even traumatising experiences of being heard by others and judged harshly, of being paralysed by stage-fright or of being laughed at when we dared to raise our voices and express ourselves. This really contributes to a sense of feeling that it’s not safe to be heard or that we ‘can’t sing. But that needn’t be the end of the story… discovering safer, more supportive places and people to sing with, exploring and challenging the critical voices we use to talk to ourselves (voices that likely once belonged to someone with an influence in our lives), and taking small steps to increase our vocal confidence can all help to turn things around.

Regardless of whether you claim you can’t sing but are happy to joyfully belt out a tune in the shower, or you refuse to let a melody pass your lips at all, there are various ways to get some of the wellbeing benefits of using your voice. For example, humming or chanting can be part of a mindfulness or meditation practice. Taking full, diaphragmatic breaths to prepare for vocalising, and extending the exhale (humming until you run out of breath) kicks in a physical process that brings your Parasympathetic Nervous System into play, promoting rest, calm and recovery. It also helps to bring your attention to the body and provides a focus point for those who find it hard to sit quietly with their thoughts. It’s still early days in terms of the science of this, but there are some studies looking at whether meditation with vocalising has increased therapeutic potential (for example, due to vagus nerve stimulation). But whatever the science says, I know from experience that singing and humming can be fantastic ways to get grounded, move past ‘stuck’ emotions, connect with the body and self-soothe.

I’m curious about how my thoughts will land with those who say they can’t sing. If that’s you, I’d invite you to be curious about it too. What emotions, thoughts or memories come up for you as you read this? What might that mean? Are you willing to challenge any of your assumptions about this? Does it matter to you? If the answer to some of these questions is a resounding ‘no’, that’s ok. Not everyone feels the need to use their voices in this way. Though to me, it seems that singing is an inherently human and beautiful thing to do. So go ahead and sing like nobody’s listening – the good news is that you don’t need to be ‘good’ at it in order to reap the benefits to your wellbeing.

 

Looking for support with being heard, using your voice to improve your wellbeing or learning to sing? Contact me!

Performers are not our Property

Performers are not our Property

I don’t think I have anything new to offer on the subject of how artists’ lives can be ruined by an insatiable public thirst for their trauma, but right now, I’m fizzing with thoughts and feelings about it. Lately, op eds and news stories about the ‘Free Britney’ movement have been all over the media. There are so many angles that could be taken on the story, from a bit of salacious gossip, to voyeuristic coverage of a widespread conspiracy theory to an opportunity to examine and hold to account both the performance industries and media coverage of the not-so private lives of those in the public eye.

The Psychology of Voice

The Psychology of Voice

When I think of ‘voice’, I think about being heard, speaking out against things we find unacceptable, advocating for ourselves or others, performing or presenting in front of an audience, and vocal technique (be it for speaking or singing). Things that can get in the way of any and all of these include the stories we tell ourselves about who we are, the messages we received from our parents or caregivers, how we are feeling physically and how safe we feel in the environment in which we are attempting to be heard.

Finding my voice

This is a cliché like the ones you hear on those ubiquitous TV talent shows, but I can’t remember a time when singing wasn’t part of my life. Although for me, that’s not strictly true – while I’ve been singing since I was quite wee, there were a few years of  vocal wilderness around a decade ago. It started with a bad bout of bronchitis and progressed to surgery and vocal rehab. A combination of bad luck, stuck emotions and a lack of rest resulted in temporary disaster but would ultimately have a happy ending.

Singing and speaking are the main things I’ve always instinctively turned to in order to process my emotions and express who I am (not to mention how I made my money – supporting people mainly through talking). Being unable to really use these resources was both devastating and shame inducing. Who was I if not a singer and professional voice user, and what was I supposed to do with all these inconvenient feelings that had nowhere to go?

This is where I may get a little evangelical about the tools that helped me get back on track and that I now have a passion for sharing with others. The NHS took care of the physical aspect of repairing my vocal apparatus but I needed to address other factors and this is where I first encountered a psychological and body work approach to vocal coaching. At Noble House, I learned about vocal rehab, an understanding of trauma and conscious breath work. I knew it was the right place for me, and still my carefully crafted defence system fought this recovery process every step of the way… until it all started to fall into place. I made leaps and bounds as a singer and a human. I belted out impossibly cheesy songs in my bedroom until my flatmate and I had fits of emotional giggles about this new development. I talked about things I’d never talked about before and felt the improvements come thick and fast.

The obvious next step in this adventure was to start training as a practitioner. It’s been a long process and an eye opening one too. While this has been going on, I’ve continued with my job supporting young people through various challenges in their lives and later, managing a small team of wonderful people who do likewise. I’ve been, and continue to be involved in various bands and music projects. I believe that none of this would have happened if I hadn’t been encouraged by a friend to sort out my vocal problems. For most of us, our voices are one of the most important aspects of our identity and ability to participate in communities, to stand up to injustice and to express our feelings. I may be a little biased under the circumstances but I’d say that taking care of this aspect of self and being aware of how closely it’s connected to our emotional world and our health is of vital importance.

‘Tell your truth, find your voice, sing your song’ (Anon).