performance psychology

Performance Anxiety Part 1: How to shine in performance and presentation

Performance Anxiety Part 1: How to shine in performance and presentation

As a coach and facilitator, I support people who feel uncomfortable with being seen and heard. People who might panic or freeze when the stakes are high and they’re required to give a performance in front of others, whether on stage, in the board room or on a conference call. In this post, I will offer some suggestions, points to reflect on and tools that could help you to feel calm enough to really shine in a performance.

Embodied, Courageous Communication

Embodied, Courageous Communication

When the brain responds to a perceived threat and proceeds to flood the body with the hormones and neurotransmitters that could give us a chance at preserving life if it were in danger, we tend to lose contact with our most sophisticated cognitive and social functions. How extreme these reactions are varies hugely according to previous experiences of trauma, shame, the messages we received as we grew up, our neurotype, personality or other variables, such as whether we’ve had enough sleep and food or are going through a stressful experience. But in any case, getting the best from our communication and performance involves a degree of courage, willingness to genuinely connect with others and ability to regulate our autonomic nervous system and emotions. That’s not to say that we should aspire to be in a state of permanent, zen-like calm, or to downplay our emotions and responses in a mandatory display of stoicism – quite the opposite! Suppressing and repressing our feelings will usually only take us so far before they catch up with us and either find an alternative route out into the world or stay buried and do damage to our health. But slowing down enough to notice our responses (something that didn’t come naturally to me and requires a lot of practice) equips us with choices about how we might be able to regulate and respond.

Performers are not our Property

Performers are not our Property

I don’t think I have anything new to offer on the subject of how artists’ lives can be ruined by an insatiable public thirst for their trauma, but right now, I’m fizzing with thoughts and feelings about it. Lately, op eds and news stories about the ‘Free Britney’ movement have been all over the media. There are so many angles that could be taken on the story, from a bit of salacious gossip, to voyeuristic coverage of a widespread conspiracy theory to an opportunity to examine and hold to account both the performance industries and media coverage of the not-so private lives of those in the public eye.